Author Archives: WarpRider
You’re not a true metal fan! This is the allegation I have read in several metal forums over the years. It always boggled my mind when I saw someone say that to someone else. I mean, who gets to define what a true fan is? What constitutes being a fan of something at all, let alone being a “true” fan? What the hell does that even mean? In the context of heavy metal I have heard this phrase expressed for at least a couple of reasons. Read the rest of this entry →
Label: Walpurgis Night MMXV
Release Date: 15 May 2015
Genre: Black Metal
Length: 46 Minutes
Previous Album: The Serpent Creation (2011)
It isn’t every day that I decide to sit down and willingly listen to music saturated with black metal blast beats or listen to music even slightly blackened by any signature black elements or anything relating to “black” and “metal” in the same sentence. Even if it’s a little bit black metal it’s sort of like asking a strict vegetarian to try this all-beef burger because it’s so good and they’re sure to like it. I’m not a vegetarian, but you get the picture. Black metal and I tend to not get along well, though I have much respect for the genre. It is intense and in most cases quite extreme. What’s not to respect about that? And, there are some blackened/near black/mostly black/partly black metal bands I do like, but they are usually the ones that most “true” black metal fans don’t like. Anyway, before I decided to review Forgotten Horror, as you might have guessed bears its roots in black metal, I gave the album no less than 8-10 listens so I could be honest with my feelings. Read the rest of this entry →
It was An Evening With Machine Head. I think this is the fifth time I have seen An Evening With (insert band name here) and it is well worth it. Why? Because you get to see, Machine Head in this case, play an assortment of songs they would never have time to play during a normal 75-90 minute set on any other headlining or festival tour. The only problem with a tour like this is that you really have to like the band a lot to want to go see just them. Sometimes a strong headlining act supported by decent bands is a nice package that makes the trip worth it. Machine Head proved plenty capable of going it alone. They rocked Tokyo’s Club O-East in the Shibuya district on 6 July 2015 for 2 ½ hours.
Surprisingly, Flynn and Co. did not open the set with a song from Bloodstone & Diamonds. I kind of expected Now We die to start the show. It seems the song was built for that with its intro and thrashy cadence. I mean, they are supporting their new album; it makes sense to kick things off with a new song. Instead, they began the night with Imperium, which worked out quite well. It wasn’t until the third song we were treated to new material in the form of Now We Die…another crowd pleaser. Read the rest of this entry →
Label: Victory Records
Release Date: 29 Jun 2015
Length: 37 Minutes
Previous Studio Albums: Slaughter The Weak (1997); Dead and Buried (2001); Fueled By Hate (2004); Warzone (2006); What Horrors Await (2009); Kill on Command (2011); Terror Regime (2013).
Genre: Death Metal
For Fans Of: Six Feet Under, Cannibal Corpse, Exhumed, Obituary
Location: Wisconsin, U.S.
Have you ever eaten from a food truck? If so, then the reason you went there is either because you were hungover or you knew that food trucks and their minimalistic menu is usually pretty amazing. The reason they make food that people line up for because they perfected whatever it is they’re cooking and people like that; they go back for more. By now, I think you get the metaphor. Read the rest of this entry →
Throughout the year, I take all of the albums I like; the ones I think might be Top 15 quality and I put them on a list. In no particular order, they sit until a few months before the end of the year. Then, I start deciding what stays and what goes. Sometimes it’s a tough choice, sometimes I have to listen to a few things again to refresh my memory as to why they were on the list in the first place. But, there is a lot of weeding out, weeding in, and sorting. It’s actually kind of fun and I get to take a break from listening to new things for a short while.
This year, I decided to do a best of (so far) list, just to see where things are going. I haven’t done this before. There have been a small handful of albums that went over well with me and I think they will stay on my list, but overall I have to say that it is not a particularly great year in metal as far as I am concerned. The “wow” factor is just not happening all that much this year…for me. This list is in no particular order. It’s a list of albums I think have the most potential for end-year nods. We do still have a way to go though. Read the rest of this entry →
Unleash The Archers
Canada’s Unleash The Archers was featured right here on A Metal State of Mind a few years ago. We were fortunate enough to catch up with them for a quick interview which you can read here and check out their previous work while you are at it. It’s about the fantasy and power metal with this outfit. The strong female vocals are styled right up there with classic Rob Halford. The music is fast-paced, doused with occasional blast beats, and a touch of death metal here and there. Very much fitting for sword battles…or a Mad Max battle. They must have done something right…they are now part of the Napalm family. Enjoy!
Posted in News
Length: 62 Minutes
Genre: Progressive Power Metal
Previous Albums: Initial Process (2011); Eight Pieces, One World (2013)
For those that live for the robust compositions of progressive metal, Max Pie should spark some interest. Their new album, Odd Memories, is about to hit store shelves and digital libraries. It leans a bit to the power metal side of the spectrum. So, it is progressive metal that makes you feel good when you are done hearing it. The good thing though, is that the album is a bit more diverse than just odd time signatures and power metal, sing along choruses. Promised Land is a great example of a song that makes you want to sing with the band, and sing it in the shower at the top of your lungs, but Cyber Junkie has a lot more chunk and heavy metal riffing. Read the rest of this entry →
Label: Nuclear Blast
Release Date: 2 Jun 15
Length: 73 Minutes
Previous Albums: Walls of Jericho (1985); Keeper of the Seven Keys Part I (1987); Keeper of the Seven Keys Part II (1988); Pink Bubbles Go Ape (1991); Chameleon (1993); Master of the Rings (1994); The Time of the Oath (1996); Better Than Raw (1998); The Dark Ride (2000); Rabbit Don’t Come Easy (2003); Keeper of the Seven Keys: The Legacy (2005); Gambling With The Devil (2007); 7 Sinners (2010); Straight out of Hell (2013)
Genre: Power Metal
Location: Germany Read the rest of this entry →
Label: Century Media
Release Date: 2 Jun 15
Length: 51 Minutes
Previous Albums: This is their 14th album. See article for the rest of the albums.
There are very few bands out there that you can say started out one way, evolved into something completely different, and then came back to their roots. At least not the way England’s Paradise Lost has done it. They have come damn near full circle with their latest release, The Plague Within, which we’ll talk more as I build up to it. In the late 90s, they formed Paradise Lost…what is now considered one of the pioneers of gothic metal. Their first four albums, Lost Paradise (1990), Gothic (1991), Shades of God (1992), and Icon (1993), were heavily gothic/doom albums – not the kind of songs you would have heard on the radio…at least not in America. Most of Nick Holmes’ vocals were gritty and growling and the music was dark and brooding. Icon started the slow and eventual evolution that Paradise Lost embodied for nearly two decades. Here is a clip from their debut album, Lost Paradise.
Release Date: 19 May 2015
Length: 42 Minutes
Genre: Nu Metal
Previous Studio Albums: Coal Chamber (1997); Chamber Music (1999); Dark Days (2002)
Location: California, U.S.
I never thought I would see another reboot of Coal Chamber in any way, shape, or form especially after the way things fell apart over a decade ago. But, as quickly as Dez’s DevilDriver crumbled and went on hiatus, Coal Chamber resurfaced, got most of the original (or long-time) band members together, and have a new album out now. Dez surely didn’t waste much time. Those Coal Chamber reunion shows in Australia obviously sparked something. Anyway, Rivals is Coal Chamber’s 4th studio album and surprisingly picks things up where they left off. I say surprisingly because this album sounds like Coal Chamber never broke up at all. Read the rest of this entry →