Category Archives: Album Reviews
Our unbiased and comprehensive album reviews. We focus more on talking about an album for what it is. We highlight the good points, note the bad, and let you decide for yourself. However, if you really want to see our score look to our “quick hits” list on the right side of our main page and hover your icon over the album’s thumbnail. There, you will see our score based on 1-5. The higher, the better.
Label: Nuclear Blast
Release Date: 11 Sep 2015
Length: 42 Minutes
Previous Albums: Show No Mercy (1983); Hell Awaits (1985); Reign In Blood (1986); South Of Heaven (1988); Seasons In The Abyss (1990); Divine Intervention (1994); Undisputed Attitude (1996); Diabolus In Musica (1998); God Hates Us All (2001); Christ Illusion (2006); World Painted Blood (2009)
Location: United States
I didn’t realize that it had been so long since Slayer’s “World Painted Blood” album back in ’09. I went to look back and see if we reviewed it, but Metal State didn’t exist back then. So, this is our first ever review of a Slayer album. Looks like a retro-review is due.
Back in the day…or a long time ago in the late 80s, early 90s listening to Slayer meant you crossed the line as a metal fan. I wasn’t keen to what was going on in Europe as a teenager (except for Helloween), but for American standards listening to and loving Slayer meant that you were full-blown metalhead and there was is no coming back from that. It was a one-way ticket to hell and I was in the front row. Slayer was a more extreme level than the rest of the Big Four and being a fan was taken seriously. Seeing a Slayer show in a small club was one of the most intense experiences I have ever had. On another note, I remember cutting school just to buy their live “Decade of Aggression” album with my buddy…we were such rebels, not! Just die-hard geeks. Anyway, owning Slayer material, going to their pummeling shows (10 of them), and trying to interpret their lyrics was time consuming, but time well spent. Read the rest of this entry →
Release Date: 18 Sept 2015
Songs: 5, plus same songs five as instrumental versions, plus one demo
Length: 20 Minutes for five original songs
Genre: Melodic Metal / Electronic / Djent / Alternative
Previous Albums: N/A
FFO: Soilwork, Sevendust, Lacuna Coil, Celldweller
Location: Calgary, Canada
I tend to get wrapped up in a comfort zone of reviewing music I know or at least bands that fall into genres I am comfortable with; usually death, thrash, and any variation of anything progressive. Canada’s Every Hour Kills is challenging me because of the profound electronic presence in their songs; something I tend to shy away from for no real explanation except that…I shy away from it. I wouldn’t say they rely heavily on the electronic elements, but for my taste, it is more than usual. Read the rest of this entry →
Last time I did death metal. Next time will be more death metal. As an interlude and a diversion, I offer you my top choice of jazz and jazz-related albums of the year so far. Once again I’m wearing my Other Music Guy hat that my colleagues at Metal State made for me. It has pictures of bunnies and kittens on it.
Most jazz doesn’t slot easily into most metal brains. There are, however, metal lovers whose tastes are broad. Yes, some of you even like jazz, or at least the better rock, prog or metal with a jazzy flavor. If you have a sense of adventure and exploration, try this bunch. They are five very different types of music. Jazz has numerous sub-genres, just as metal does.
You may note I’ve given the highest rating to all of these picks.
Posted in Album Reviews
Tags: Avant-Garde Jazz Rock, Cassandra Wilson, Cheating the Polygraph, Classic Jazz, Coming Forth by Day, Damballa’s Voodoo Doll, Episodes 27-39, Gavin Harrison, Jazz, Jazz-Prog Fusion, Jazzy stuff, John Zorn, Mammal’s most recommended new albums, Progressive Jazz Metal, Simulacrum, The Black Codex, Trepalium
For some reason, I was lost on the vocals the first time I heard Act of Defiance on YouTube. Now that I have had the album experience blasted through my skull, the vocals are stronger and more complimentary than I remember. After listening to Birth and the Burial, it leaves me to believe that Broderick and Drover were looking to play something much heavier than were authorized on Super Collider, their last effort with Megadeth before moving on. If you are a fan of early Big Four-era thrash then Act of Defiance should interest you greatly. With a vibe that reminds me of classic Testament and Exodus, there is no shortage of tight riffs, guitar solos and pure, raw thrash appeal. 3.75 out of 5.
Label: Metal Blade
Release Date: 21 Aug 2015
Length: 48 Minutes
Genre: Thrash Metal
Previous Albums: This is their debut.
Location: United States
Posted by RiffRaff
If there’s a single band that personifies heavy metal more than Iron Maiden, fill me in. Metallica? Lars is a dweeb who sues his fans… and Lulu and angry saints. Slayer? They have become caricatures of themselves. Black Sabbath? Sharon Osborne and 1984-1990 happened. Judas Priest? Close, but lack that little something special. No, there isn’t a band out there that can out metal Iron Maiden and after 30 years of inhabiting the embodiment of heavy metal they still continue to be metal as fuck. For example, while recording The Book of Souls, the bands 16th studio album, Bruce Dickinson was suffering from a cancer on his tongue he reportedly got from kissing his wife in an Australian manner one too many times. He went on to record his parts on the record with golf ball sized tumors in his tongue and throat. He then kicked that cancer’s ass. Metal as fuck? I think so.
Because he wasn’t singing when he was at 100%, while still excellent, you can hear that Bruce is really pushing himself. That imperfection is what makes Iron Maiden so perfect and so metal. What is at the core of ‘having a metal state of mind’ more so than determination? Even when lambasted for records like No Prayer for the Dying and Virtual XI Steve Harris and Co. kept their cool, improved themselves, and kept on delivering countless amazing shows and a stack of great songs and albums. With a string of albums that were pretty damn good but not up to the exceedingly high Iron Maiden standards, the English gents, determined as ever, rise to the challenge and attempt to deliver their biggest album to date.
Posted by RiffRaff
For how much metal delves into histories of their nations I’ve always been rather disappointed that the Native Americans are so poorly represented. Sure, there are songs about the Native Americans and even bands that capture the atmosphere of the spiritual aspects of Native American culture, but until now nothing I’ve heard has been full on Native American; capturing the history, the nature, and the spiritualism. Having a large part of my heritage being Native American (I’m of Seneca descent and grew up in NJ, a Lenni-Lenape region) I’ve always had interest in Native American culture, in particular the music. Naturally there’s always been a desire to want to hear the traditional music and tales blended with my favorite form of music, heavy metal (obviously). So you can imagine my glee when I saw that our very own Irmelnis had posted on her Facebook wall a link to an album preview for Heart of Akamon by Nechochwen, a full on Native American metal band. Not only did they come from a label I’m really starting to come to admire quite a bit (Bindrune Records) who hosts some amazing artist like Panopticon and Falls of Rauros but also integrate Lenape and other Eastern Woodlands Native American history and lore into their music. Damn straight I went right to the Metal State inbox to see if we had gotten a promo of the record. And oh yes we did, and oh yes am I more than content and have bought the entire discography already. Where has this band been my whole life? Read the rest of this entry →
Trying to pick out the very best death metal of the year so far was a bitch of a job. Of the many deathy albums we’ve been invited (and sometimes we’ve asked) to review, there are dozens I like. Eventually I decided the fairest approach would be to divide those albums into three groups – melodic and symphonic death; prog and technical death; and assorted death. That still left a pile of death to listen to.
Not that I minded, of course. Listening to and writing about music has become my consuming pastime since I sort of retired when I turned 65. Even so, I shall use one of the M-words to describe the nature of the task in hand. It was… no, not Majestic. Massive, yes. Monumental… yeah, that’s good because it fits so much of the music on my death row.
Max Cavalera has to be one of the busiest guys in metal at the moment; balancing three bands. Soulfly’s 10th album, Archangel, continues the barrage of thrash they have perfected over the years. We Sold Our Souls to Metal opens the album in blistering speed and angst followed up by the bone-crushing Archangel. Despite a revolving door of musicians entering and leaving the fold, Soulfly manages to maintain a staunch level of continuity. There aren’t any real surprises with Archangel, but in terms of band progression, album #10 is a step forward for the band compared to Savages and Enslaved. Overall, Max Cavalera shows no signs of slowing down and Soulfly’s Archangel is evidence of that. For a ripping good time…purchase, hit play, and try not to break anything. 3.75 out of 5
Label: Nuclear Blast
Release Date: 14 Aug 2015
Length: 46 Minutes
Previous Albums: Soulfly (1998); Primitive (2000); 3 (2002); Prophecy (2004); Dark Ages (2005); Conquer (2008); Omen (2010); Enslaved (2012); Savages (2013).
After 2013’s Temper Temper I was a bit skeptical about a new Bullet For My Valentine album. When initial reports spread that Venom was more reminiscent of earlier BFMV, I thought it was enough of an excuse to buy new music and give it a try. In short, what I heard was accurate. The new material is much less “pop” sounding than Temper Temper. This can only be a good thing. After numerous spins, I find the first half of the album is stronger than the latter. As the album played on, my interest dwindled a little bit. However, tracks such as No Way Out, Army of Noise, and Broken really kick up the adrenaline. Worthless is one of their anger-management-I-hate-you power ballads BMFV does well. Overall, Venom is a solid BFMV album that should please long-time fans. 3.5 out of 5
Label: RCA Records
Release Date: 14 Aug 2015
Length: 58 Minutes
Previous Albums: The Poison (2005); Scream Aim Fire (2008); Fever (2010); Temper Temper (2013).
Location: United Kingdom
Two-thirds of the way through the year, I find that the four unreviewed ’core releases I’ve enjoyed the most were all issued in the opening months of 2015. There have been many other good ’core albums in our Inbox, but these are the ones that call to me most sweetly. Two of the four are EPs, not full albums, which goes to show yet again that quality matters much more than quantity in music.
As always, my picks are sub-genres of the melodious and experimental ilk. That doesn’t mean I’m soppy, it reveals that I’m half hippie.
The albums and EPs are listed alphabetically by name of the artist. Any rating of 4 or more on Metal State equates to “Geez, gotta have this!”