Label: Pelagic Records
Release Date: Sept. 15th, 2014
Studio Albums: Exit Eden (2011), Iron Chest (2012)
Location: Berlin, Germany
Missed Reviews: Killswitch Engage; Bullet For My Valentine; Ghost Brigade; Toxic Holocaust; Skeletonwitch; Cradle of Filth
If I had it my way I would by every album I want with the money that grows on this tree outside. But, since the world doesn’t work like that some potential album purchases get pushed to the wayside until a time arises when the wallet fairy says it’s time to buy. In some cases, like with Ghost Brigade, I never knew they existed. So, thanks to people like you, readers, fellow bloggers, and my Metal State cohorts, I get introduced to all kinds of bands, hence Ghost Brigade. This segment is something I never did before, but I thought it would be cool to catch up on a few things I never got around to or freshly introduced to. If you are like me, I hope you find something you like. Enjoy!
Killswitch Engage – Disarm The Descent (2013)
Killswitch Engage is a band that was never really on my radar, but I could count on them for some pretty cool songs off each album; not to mention one cover I am really fond of. In fact, by the time I heard of the band I didn’t even realize they were on a second vocalist in Howard Jones. So, when I heard Jesse Leach was returning to the band I barely noticed there was ever much of a difference from the old to the most recent of their albums at the time. When news of the latest album broke, I figured I would get around to it…well, that time is now.
I have to say my generalized opinion has changed a bit from my previous position. I rather enjoy the new work. I still only hear barely a difference in vocal style from Jones back to Leach, but music I find more attractive than past endeavors from Killswitch camp. I felt most of their songs were a bit choppy whereas the Disarm the Descent has a smoother cadence and flow. Overall, a little bummed I didn’t grab it upon release, but I am happy to have it now and have given it several pleasurable spins.
Tags: Bullet for my Valentine, Chemistry of Consciousness, Cradle of Filth, Disarm the Descent, Ghost Brigade, killswitch engage, metal, Serpents Unleashed, Skeletonwitch, Temper Temper, The Manticore and Other Horrors, Thrash, Toxic Holocaust, Until Fear No Longer Defines Us
Genre: Cinematic / Expressive / Progressive / Moody / Atmospheric / A Pinch of Desert Rock / Experimental
Length: 47 Minutes
Release Date: 23 Sep 2014
Albums: This is their 3rd studio album.
Location: Arizona, US
For fans of: Isis, Palms Read the rest of this entry →
When you think of metal and their country of origin, do you automatically think of the US or Europe? Is Australia the first country that comes to mind when thinking about cool metal bands? Perhaps you should start thinking about Australia a little more often. It seems like as each day passes there are more bands popping up from down under well worth checking out.
Undermine the Supremacy is one I am focusing on today that slipped their band info into our inbox. Thank you for that, by the way. This Queensland five-piece is all about metalcore, you should know. I am not going to spell out how bone-crunching their songs are or how deep the vocalist can growl. I won’t waste any of your time talking about their chunky riffs or headbanging cadence either. Why do all that when you can just check it out for yourself. Go ahead. Hit that play button! If you enjoy the bombastic breakdowns of metalcore, you’ll have a hard time hitting the stop button.
For fans of: Parkway Drive, Killswitch Engage, Heaven Shall Burn, Calaban, Lamb of God.
Album: Slab City
Label: Napalm Records
Release Date: Sept. 5th, 2014
Genre: Desert Rock
Studio Albums: Disastronaught (2012), Corned Beef Colossus E.P. (2013)
Location: London, U.K.
Record Label: Mighty Music
Release date: 6 Oct 2014
Genre: Thrash / Hard Rock
Length: 50 Minutes
Albums: Black Out Sunday (2010). Read the rest of this entry →
Stepping out of the office doors a surprisingly gentle breeze on a twilit summer city evening greets me. I glance down at my watch and see I have a bit over an hour to occupy before I have to meet my wife at the train station. She has been gone a few days on business, so I miss her quite a bit as we are rarely apart for so long. Noticing that the city is rather empty I take the opportunity to make a slow peruse towards my destination to take in some of the finer details of Milan’s center which are usually covered with businessmen, fashion models, and tourists. I make my way to the marble monolith which marks the epicenter of the city as I dig around in my pockets for my earphones. Of course I will need a soundtrack for this little excursion. Flipping through the selections I have on my phone I realize I have my yet to be listened to copy of the new YOB record sitting on there. That should be perfect; atmospheric, shamanistic, and introspective. Read the rest of this entry →
Unfortunately, no real interesting videos go released this week. Just ones with the band playing in a basement, abandoned warehouse, forest, etc. And you all know how much I love those. Silver lining being, I get to dig a bit back for stuff I overlooked throughout the year. Here’s one video and record I criminally overlooked until recently. So, hail Crom and check out the nightmarish visuals with a crushing sludge doom soundtrack. Also, check out the record, Blood Eagle; absolutely shattering stuff. Enjoy!!!
Release Date: 22 Sep 2014
Length: 50 Minutes
Studio Albums: This is their debut album
Location: France Read the rest of this entry →
I was considering making these 2 songs the Video of the Week because the neat-o nature visualizers are damn hypnotizing, fit their respective songs perfectly, and would be perfectly acceptable as official videos in my book. However, RoadRunner decided to label them as official audio, so I would expect that something a bit more big budget is in the pipeline.
Anyhoo, in case you missed our Roundtable Review of Opeth’s latest, Pale Communion, some of us liked it, some of us not so much, and I flipped head over heel in love it claiming it belongs with the upper echelon of the prime Opeth releases. Every song on it is pure gold in my opinion and even cooler, my 2 favorite tracks from the record got this cool official audio nature visualizer treatment.
Eternal Rains Shall Come shows some stylized footage, of, well, rain and thunderstorms. Really cool, especially if you are the type of person that find comfort in just staring out into a rainstorm. The song is really damn cool as well. I love how it floats from upbeat, chipper moods to relaxing and slightly melancholy to punchy and powerful. Damn fine song and an instant classic in my book.
Moon Above, Sun Below showcases my favorite season as Autumnal clips hypnotize as Opeth takes you on a trip to the Harlequin Forest to see how much it has changed over the years. While the last time we visited the forest of regrets and our protagonist’s tortured mind was being chased on a Wintery and stormy night, we now see the forest in a different season and illuminated by the sun. It still has maintained a bit of menace, but without the cover of dark, refrains from baring its teeth opting to lull its prey into becoming lost within the flurry of trunks and branches until the dawn of night approaches.
Am I crazy in thinking that Moon Above, Sun Below is the spiritual successor to Harlequin Forest? (I embedded the song so you can listen and reaffirm my over-analyzing.) Have you listened to the new Opeth? What do you think? Love it, hate it, meh? Enjoy!! Peace Love and Metal!!!