This one is a grabber. Tiny Tiny Cakey Kitten and I are in total agreement on that point. Empires, to be released on Monday (21 July), is the splendid follow-up to Vile Regression’s 2011 debut, The Pattern Evolves.
This Irish outfit plays extreme metal, but not merely for the sake of showing off their considerable technical prowess. They explore the dark end of the prog metal spectrum and enrich it with good melody lines, glittering instrumentation, varied harsh vocal styles, nicely calculated changes of pace and emotional interpretations. In short, this is a really cool album.
Posted by WarpRider
I love the power of a good instrumental song. Sometimes they can be energizing or even relaxing depending on the band’s intent with the song. Some bands use an instrumental song to display a different, sometimes softer side. And, sometimes an instrumental is a collection of left over riffs and drum parts that didn’t make the final cut. Or, perhaps they just couldn’t find the words to go with the music. However they are composed, the instrumental song is a track I look for and hope to find on any album; though there are some bands where it’s almost an expectation. This list is comprised of 25 word-less songs that I find essential to my music library. I wouldn’t sweat over the exact order, but yeah the ones at or near the top of this list are definitely my favorites. I know there are many more instrumental songs out there, but these are mine…so to speak. This list is also limited to only three per band and only one band made this list three times. Enjoy!
16. Frankenstein – Overkill
Initially, I never knew this was an Edgar Winter’s Group cover from the early 70s. I can’t remember how it was pointed out; maybe it was in the liner notes, but after giving it a second thought it did seem to sound a bit different from the rest of this outstanding Horrorscope album from 1991. Overkill certainly held true to the original vibe, but trash-ified the songs nicely. This album needs a remaster!
15. Stream of Consciousness – Dream Theater
These guys make great instrumental songs and it’s one of the reasons why they are the only band to have three songs on my list. This one appeared on the Train of Thought album released in 2003. I saw that tour, but never got to see this song played live; at least not that I can remember. Even today, I look to see if Dream Theater adds an instrumental on their new albums and I am glad this is still a practice of theirs. They are quite good at it.
Release Date: 2003
Length: 54 minutes
Genre: Progressive Metal
Studio Albums: Five full-length albums, two EPs
Release Date: 2 June, 2014
Length: 55 minutes
Genre: Progressive Metal
Studio Albums: Four previous albums
Release Date: May 20, 2014
Length: 40 minutes, 8 tracks
Genre: Progressive tech/deathcore
Studio Albums: Between Mirrors: The Quantum Immortality, 2012
Location: Indianapolis, USA
For fans of: The Contortionist, Born Of Osiris, Animals As Leaders, Nexilva, Monuments
Good memories don’t have to be ancient. They can be as recent as yesterday. This one goes back to 1997, which sometimes feels like yesterday.
Symphony X had released three albums before The Divine Wings Of Tragedy came out. It instantly became and has remained my favourite SX album. One powerful reason for its lasting appeal is the title song, which takes up more than a third of the album.
The song doesn’t have the structure to be called a symphony. Instead I call it a sustained caprice. If the term is sightly unfamilar to you, a caprice is a sudden change of mind, and it often takes the form of a flight of whimsy.
There’s not much that’s whimsical about this song. It does, however, contain any number of changes of mind — in style, melody, time signature and mood. It is an engrossing combination of acapella, symphonic, orchestral and heavy metal sounds in one glorious prog metal package.
Posted by WarpRider
If you told me you were in a metal band and from Brooklyn, New York, I would instantly stereotype you thinking you were all about Hardcore. Oneironaught defies that stereotype (one that’s probably just mine anyway) and boasts a wide range of progressive ecstasy. In addition to positively progressive prowess, this 4-piece embeds a healthy dose of standard raw metal and a touch of psychedelic flair. One interesting fact is they are mostly instrumental and definitely worth checking out. Personally, they had me at instrumental!
Enlist Today! was released in 2013 and is available now by following the path to Bandcamp below. Check it out and enjoy our Stream of the Week. You can follow the band on their facebook page. Enjoy!
Release Date: July 21 1997
Length: 74 minutes
Genre: Unique progressive metal
Studio Albums: Too many to mention!
Release Date: April 7 2014
Genre: Progressive death metal
Studio Albums: The Trials Of Mankind 2010, Defile The Flesh Of Innocence EP 2011
Location: Sunderland, UK
For fans of: Born Of Osiris, Fleshgod Apocalypse, The Faceless, Fallujah, Carnifex
Posted by RiffRaff
When take a gander at some of the reasons some of my favorite bands have remained my favorite bands over the course of decades one reason always seems to take the forefront. The ability to grow and evolve, not afraid to make dramatic changes, while remaining true to a core sound or style that initial made me a super-fan in the first place. These kind of bands give me something to look forward from release to release as I know I am going to get lots of new alleyways and avenues to explore. They keep their career fresh and I get a variety of albums to listen to (unlike just more or less needing a single album that sums up the bands catalog) all with different experiences contained within.
Enter Cormorant. A couple of years ago when they released their sophomore album Dwellings my ears picked up on the unique blend of blackened prog rock tinged with hints of classic metal and instantly became a super-fan of the Bay Area band. As par for the course, since I liked their current record so much I ponied up the cash for the back catalog expecting more of the same that was on Dwellings. To my delight, their debut album Metazoa was a much different beast than the record I was spinning ad nauseam, yet was still very much a Cormorant affair. They just needed a third record to prove they were the real deal and not just a fluke and they were pretty much guaranteed a spot in my coveted Realm of Upper Echelon Bands. I was very much hoping this would happen. Then tragedy struck; Arthur Von Nagal, the bands front man, lyricist, vocalist, bassist, and major songwriter contribute made the decision to leave the band to pursue in a career of video game development (FYI, that really freaking awesome Walking Dead game that won all them awards, he was on that team. Go play games made by TellTale, their all great!).